top of page

Macbeth

by William Shakespeare
Directed by Alisa Stewart

Come like shadows, so depart...

January 16 - February 22, 2026

18850 SW Alexander St. in Aloha

base vertical

Immerse yourself in medieval Scotland, following the slow corrosive effect of unchecked ambition in the main character of Macbeth. Directed by Alisa Stewart, this compelling production plunges into the psychological turmoil of a king tortured by guilt, fate, and the corrupting influence of his own desires. Featuring live musicians performing a haunting soundscape inspired by the music of RADIOHEAD, and innovative choreography that moves with the magical sounds. The rule of threes haunts this land that will be controlled by the witches, and man's desire for power.


ADVISORY: Be advised that the production features fake blood, flashing lights, fog, haze, and depictions of violence against adults and minor children.


STORY: On his return from war, three witches offer Macbeth the prospect of ultimate control when the dark forces of three witches that predict the young, strong warrior will become King. Desiring a new future in power, he and his wife, a witch who has left her coven, set out to make it a reality by unleashing a devastating chain of events using any means necessary to hold on to power as the world collapses around them.


Audiences will be seated for this performance. Choose from reserved and general admission seats. Audiences seated in the order of arrival. Come early for best choice. A handful of Arts for All and student seats available for each performance. 

CAST & CREW

CAST

Macbeth – KJ Snyder

Lady Macbeth – Taylor Jean Grady

Malcolm / Fleance – Damian Luis

Ross / Lennox – Alec Henneberger

Banquo – RJ Tofte

Hecate – Mindy Mawhirter

Witch #1 – Lexy Bolsinger

Witch #2 – Marietta Hedges

Witch #3 – Katy Payne

Porter / Duncan / Ensemble – Ryan Pfeiffer

Lady Macduff – Ruby Silberstein

Macduff – Danny Walker


Live musicians: Alisa Stewart, keyboard; Erich Johnson, guitar; Dimitri Pandelios, drums

Choreography by Andrea Parson

bottom of page